Log To Print (DCTL)

Take any camera's log footage straight to a finished, print-film-inspired look — in one node.

Log To Print is a single DCTL that replaces an entire node stack: a proper log-to-display color space conversion, a Kodak 2383 print-film emulation, a false-color exposure guide, and a full creative color toolkit — all built to work together instead of fighting each other.

Shoot on anything. Independent Input Color Space and Input Gamma menus cover Sony S-Log3, ARRI LogC3 and LogC4, Panasonic V-Log, RED Log3G10, Blackmagic Film Gen5, Kinefinity KineLog3, and ACEScct — mix and match cameras on the same timeline with one consistent node.

Get a real filmic rolloff, not a clip. Highlights compress through an industry-standard ACES-style curve instead of hard-clipping, so hot windows and skies roll off smoothly instead of blowing out into flat white.

Baked-in Kodak 2383 print stock. A genuine, CC0-licensed Kodak 2383 print-film LUT is embedded directly in the file — no external LUT to lose, mismatch, or forget to copy to another machine. Dial the strength and compression to taste, or turn it off entirely.

A full creative pass without leaving the node. Print Hue and Print Light, six-way Print Hue (RGBCMY), Teal & Orange split-toning, Deep Saturation, Vibrance, and camera-matching Temperature/Tint trims — everything you'd normally build across four or five nodes.

6 built-in cinematic looks, one dropdown: Modern Film, 80s Look, Vintage, Teal & Orange, Night, and Military — each blends toward a calibrated target as you raise Intensity, so it adapts to your exposure instead of stamping a fixed number over it.